Monday 28 August
Ciné
Death of Mireille Darc
It is to be hoped that not only Mireille Darc , who died on August 28 at 79 years of age, will be remembered only for her long association with Alain Delon and the beauty of her long body, which she liberally offered to the delight of the spectators. She was much better than these anecdotal provisions and for only twenty years she was an essential actress of French cinema.
We discovered first his ravishing and slightly crumpled face in one of the masterpieces of television, Hauteclaire or the happiness in the crime according to one of the news of the "Diaboliques" of Barbey d'Aurevilly , realized by Jean Prat in 1961.
A dozen films and the inscription in the collective imagination in " Les barbouzes " by Georges Lautner in 1964 when the camera, first frozen on the face of Amarante, unveiled in shift track the very small outfit of the tearful widow (!) Of the great arms dealer Constantin Benard Shah.
Followed in 1965, always from Lautner, the unknown and interesting Galia , where Mireille Darc invested a character who was going to make floures, that of the "free woman". That is to say, much more than a "liberated woman": there was no societal demand in this desire for independence and freedom.
There followed many very charming films, often made by Lautner ( Do not be angry "1966 Large grasshopper - and the nickname will him up like a glove - 1967 Sorrel Flower 1968 Let go, it ' Is a 1971 waltz , 1972 was once a cop , The 1973 suitcase , Ice breasts 1974, Death of a 1977 death ) or Édouard Molinaro ( The pink phone 1975, The man pressed 1977). Popular cinema often of quality where Mireille Darc could be by turn seductive, disquieting, murder ...
She stopped shooting in 1986, thirty-two years ago.
What image will we keep from it? Perhaps that of the Big blond with a black shoe of Yves Robert in 1972 where she wore this incredible black long dress that, however great austerity face, nevertheless revealed deliciously its sumptuous fall of kidneys. Impetuous
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We discovered first his ravishing and slightly crumpled face in one of the masterpieces of television, Hauteclaire or the happiness in the crime according to one of the news of the "Diaboliques" of Barbey d'Aurevilly , realized by Jean Prat in 1961.
A dozen films and the inscription in the collective imagination in " Les barbouzes " by Georges Lautner in 1964 when the camera, first frozen on the face of Amarante, unveiled in shift track the very small outfit of the tearful widow (!) Of the great arms dealer Constantin Benard Shah.
Followed in 1965, always from Lautner, the unknown and interesting Galia , where Mireille Darc invested a character who was going to make floures, that of the "free woman". That is to say, much more than a "liberated woman": there was no societal demand in this desire for independence and freedom.
There followed many very charming films, often made by Lautner ( Do not be angry "1966 Large grasshopper - and the nickname will him up like a glove - 1967 Sorrel Flower 1968 Let go, it ' Is a 1971 waltz , 1972 was once a cop , The 1973 suitcase , Ice breasts 1974, Death of a 1977 death ) or Édouard Molinaro ( The pink phone 1975, The man pressed 1977). Popular cinema often of quality where Mireille Darc could be by turn seductive, disquieting, murder ...
She stopped shooting in 1986, thirty-two years ago.
What image will we keep from it? Perhaps that of the Big blond with a black shoe of Yves Robert in 1972 where she wore this incredible black long dress that, however great austerity face, nevertheless revealed deliciously its sumptuous fall of kidneys. Impetuous
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