Showing posts with label movies that matter. Show all posts
Showing posts with label movies that matter. Show all posts

Tuesday, December 25, 2012

TV’s most Islamophobic show - Salon.com



Almost  everyone I know (including myself) says HOMELAND  was  their favorite must watch TV show this season ( It's on cable which means it is ok for smart  "I don't watch TV except for news programs" folk to 'fess up. even  though the producers brought to public acclaim and ratings rule the pro-torture "24", the TV  favorite of those forgotten villains  Dick Chaney and Donald Rumsfeld   Or should I say this show bleeds into creating a film  audience for Zero Dark Thirty?  Or should I ask is it a good thing that smart little girls have a new alternative to SUPER MODEL as a choice of  what they want to be when they grow up? Is it really true that that best CIA/NSA agents are women ?  Will only a radical feminist who thinks there is no essential difference between men and women except for acculturation be jumping up and down with joy as Claire Danes character and Kathryn Bigelow direction exposes the stupidity of men as they use their female brains to  'save the world? Well here is a "she said , he said in print/online reactions " .. Where do you stand?

Laila Al-Arian is a journalist based in Washington D.C. critiques HOMELAN

Yair Rosenberg suppots HOMELAND, He s a writer for the NYC based Zionist publication T

Hey I didn't miss a single chapter but had this uneasy feeling from day one. Only asking but I will duck just in case !

Thursday, December 13, 2012

HITLER's CHILDREN &THE FLAT

Two recent documentaries focus on erased or repressed memory on different generations of Germans and Jews who lived through or were born after World War II.

THE FLAT directed Arnon Goldfinger




First seen at Sundance 2012

Arnon Goldfinger's Grandmother dies and her apartment in Israel is being cleaned out by her daughter and her grandson. The mother wants  to throw everything away. She loved her parents but has no desire to be reminded of this sophisticated, educated couple and their history. 




Her grandson (Armon) on the other hand is very curious to know more about the lives of his Grandfather who was a Judge in Germany and his wife.

Both were Zionist in the '30's and had emigrated to what was Palestine to begin the building of a Jewish State . Neither ever lost their identification with Germany as their homeland.

At the death of the grandmother her daughter and her son go to empty her flat in downtown Tel Avie The mother throws out and the stuff and the son retrieves. It is a generational story, One wants not to know what went on during the holocaust the other is curious  about his family history, a template of human coping skills with pain and emotional devastation. He discovers pictures and a news story of his grandparents in taking a high Nazi Party official on a tour of what would become Israel .

Two couples with a common goal: The Germans wanted the Jews to leave voluntarily  and the Jews wanted then to come to Israel. 

What unfolds is that this friendship is renewed after the war. The Israeli couple visits with the Nazi couple and the grandson is profoundly disturbed because he can not understand why, The mother does not want to know any of this. 

The son goes to Germany and is welcomed by the daughter of the Nazi couple. She believes her father, who after the war and vetted by DER SPEIGEL had became an executive for Coke Cola, had left the Nazi party in 1937 and spoke fondly of her father and mother's  friendship for the Israeli couple and remembers their visiting after the war. Continuing to not understand how his grand parents could have maintained this friendly relationship, the Jewish grandson uncovers with the fall of the Berlin wall and access to East German archives newly made available documents that reveal not only did their German friend not leave the Party but he hired Eichmann and worked as a high ranked officer in Goering's office. When confronted with this fact the German daughter can not believe it. 

The Jewish mother wants her son to stop asking questions. That;s the sequence of events in the documentary .But the feelings it raises and the way humans cope when confronted with truth as well as what is the meaning of friendship boundaries of loyalty are but some of the deeply moving and disruptive questions raised .

The Flat trailer




HITLER’S CHILDREN  director Chanoch Ze'evi

Hitler's Children is not based on the best selling book about the Bader-Meinhof Red Brigade. Rather despite Hitler himself having no children Hitler’s Children is a film about the descendants of the most powerful figures in the Nazi regime including Himmler, Frank, Goering and Hoess. They had families. Israeli first time director Chanoch Ze'evi bravely has made a nuanced documentary that brings alive both the guilt and shame of the descendants and the mixed emotions of Jews confronting them. 



To his credit he neither sensationalizes nor does he manipulate the audience into an easy reaction. Complicated as the emotions may be Ze'evi through direct shooting , little editing inside an interview and direct focus on the subjects on screen allows the viewer to see and hear the adult children talk. 

A difficult movie to watch but searing in its humanity, The critical scene is when a teenage Israeli girl on an educational trip to a death camp in Germany stands up and confronts one of the relative of the Nazi leader. Heightening the encounter is the presence  and participation of holocaust survivors of the very camp the sequence is shot in. Hitler's Children raised issues of genetics and historical truth as It role models how a documentary film can facilitate the speaking out of bitter truths.

Hitlers Children trailer


GAYBY director Jonathan Lisecki

Babies, Babies, Babies OH MY!



We have been writing about how films that had been ghettoed as “gay film” have evolved into films of quality, While rooted in specifics story telling these new generation of films  have crossover appeal as their themes and execution resonate universal life situations and break out of genre specific cinematic cages e.g. Week End, Turn the Lights On. Now joining these two serious, artful films is that one hilarious comedy GAYBY. Jonathan Lisecki harkens back to the screwball comedies of the 30's.. Set in one of 8 US cities with a hip, sexually liberated, community where friendships break all the politically correct boundaries.lets say its the new Brooklyn. Jenn (Jean Harris) feels her biological clock pounding in her uterus , She thinks baby now .,. or never. But who? She is single. Well, of course she thinks her best friend since high school Matt would be perfect. Except Matt is gay and in a committed relationship with Nelson. Jenn is desperate; asks Matt. 


He gets weird out but a friend is in need and Nelson, well Nelson whose has the mashed up wit of Gore Vidal/Fran Lebowitz masquerading as 'Our Miss Brooks” s Eve Arden. Its a Richard Linklater version of slapstick comedy. What is lovely and funny and ultimately moving is  that write/ director/actor (Nelson)  Lisecki clearly believes that delicate social issue are better handled with smart hip humor than hammered home with a gross out message. Nice to see two of my favorite young character actors Sarita Choudhury and Dulé Hill in Gayby's 'hood. So stop worrying about being politically correct , just make with a home date (it is now VOD everywhere) or actually movie date and take someone sexy and with a appreciation for humor and see GAYBY

Gaby trailer