Tuesday, October 27, 2015

DOC-NYC, MIXNYC28, BRIDGE OF SPIES, STEVE JOBS

Jim Fouratt Reel Deal: Movies that Matter
November 2015 # 1


If you think of important movie opens Every Other Day in NYC, you are right, It is falling and the Harvey Weinstein template is in full boom. The Bank Street resident reinvent how Oscars were perused. In 1999 Shakespeare in Love won 7 Oscars, Harvey had Decided to hold its release until the last quarter. His Oscar gameplan. Blowing up Golden Globes into seemingly serious awards The Hollywood Foreign Press Association has a total of 93 voting members (http://www.hfpa.org/members/) Followed by the Spirit and SAG (with thousand of eligibel voters) It workedl for Harvey and now everyone else copied it So yes it is "raining quality films"


First let me alert you to two very significant and different festivals in Novenber.  DOC NYC, America's Largest Documentary Festival, has a full line-up for its 6th edition running, 12 to 19 November at the IFC Center in Greenwich Village and Chelsea's SVA Theatr e and Bow Tie Cinemas Chelsea. 2015 festival includes 104 feature-length documentaries and has expanded to over 200 films and showcase events overall. Included are 27 world premieres,  1 5 US premieres, 2 00 doc makers and special guests expected in person Including   Hillary Clinton (!) For Once and For All, directed by Michael Epstein and Dyllan McGee, about the 1995 Beijing Women's Conference where First Lady Clinton gave a historic address on women's rights .. A few highlights You Should Book Now include Amy Berg's Janis Joplin portrait, Janis: Little Girl Blue, Academy Award-winner Barbara Kopple's Miss Sharon Jones!


19 sections did include   Galas and Special Events; Competition Sections Viewfinders (for distinctive directorial visions), Metropolis (for New York City Stories); nationally and globally takes in American Perspectives and International Perspectives. The thematic sections are CenterStage (on performers), Fight the Power (on activism), Jock Docs (on sports), and Sonic Cinema (on music). New this year are Doc Eat Doc (on food), Modern Family (on various relations), The Wild Life  (on animals) and Behind the Scenes (on films and filmmaking). DOC NYC Metro, focusing on student projects. Remaining sections are Docs Redux, reviving classics; shorts, representing the upsurge of short-form documentary; Oscar doics contenders shortlisted (15 of the year's award contenders) and DOC NYC PRO, focusing on panels and master classes. Must click: http://www.docnyc.net/ for additons and surprises. Kudos to former chief of programing Newfest and Sundance programing associate DOC NYC chief of programing Basil Tomakis and ED Tom Powers for searching high and low for t has doc thatthey want us to see.


MIX NYC28 10 to 15 November MIX NYC Describes itself as "A community of artists and organizers joined together to explore, share, and create queer experimental media through to ever-changing constellation of Means. We make art for ourselves and our community, not for markets or museums "Ah yes! .Unlike Any film festival in the world, MIXNYC happens inside a magic dome of faux timetravel combining, at indoor radical faery encampment, a Queer Stock on environmental spectacle, visual art and live performance and food (!). It is rooted in a very diverse Essentially MIX of experimental cinema formats Whose content include shorts, documentaries, narrative features did cross all boundaries of priority. You Became a part of an interactive seduction That Stimulates the eye, the brain and all your erogenous zones. Nothing and no one is taboo be it porn or spicy vegan chili. Every night ends with a party with music and performance. Among the people who have been stimulated natured and MIX is the current MoMA head of Their film programing Rajendra Roy Check out Their website mix.org Hanes program Inot availabels we go to press). Trust me, this will be not like any other film festival. Check my blog and Their website and Their Kickstarter has a wonderful video oh All Are Welcome


LET'S GO TO THE MOVIES


STEVE JOBS director Danny Boyle
Bridge of Spies director Steven Spielberg


Both films revolve around One Of These character did in many ways darstellt Both what is held as the true values ​​of the United States and How They May Be Changing


In Steve Jobs,  writer Aaron Sorkin choses to focus on the relationships with the people surrounding Jobs has him. It is personal. Michael Fassbender again shows his ability to inhabit a character. You forget how Jobs Actually Looked or talked in life. Sorkin like Alex Gibney in his documentary Steve Jobs the Man and the Machine, Which I recommend seeing first to prepare you, Focus Is that Jobs never invented anything, yet has become on international symbol of successful capitalism as personified in one person. Boyle has shaped his film like a perfectly designed Apple product and hermetic gorgeous.If It was an object You Could Hold your hands you would be sweating with desire, like Boyle Gibney presents Jobs as someone who is high functioning autistic Either a personality incapable of empathy or a sociopath , brilliant and sexy and driven to achieve in any way Possible, What Matters Is not family (you will be shocked at his behavior towards his first wife and child) or friendship. He's surrounds himself with genius did paint his charisma and his ego needs to be the best. He hand picks flawed genius and proceeds to encourage and then brain pick Their ideas Which They willingly give him. He Walks Away When They are no longer useful. , He put his handprints all over the perfectly packaged product as if He in fact had created them. His uncanny ability to be seduced through design and function and brilliant marketing. He sells to the public a product makes them feel Whose acquisition cool, hip and sexy. In many cases the product be it computer or handheld does changes Their Lives. It become as essential as a bed or food on the table. Jobs' he's surrounded himself with nerds now wellknown in the public eye and yet none of them have what Jobs had. It is shocking to learn of his treatment of thesis so called friends and in Particular the woman he first married and the child he fathered. Kate Winslet, unregonizable in character stands out as the ever suffering but keep-Steve- together-and-On-Schedule assistant. A performance so convincing of the power Jobs had over people.


But is he a hero? Do we want to teach our children did success is the only thing that matters. That using people and tossing them aside When They no longer matter to you or don''t need them is the American way. We know from Walter Isaac's definitive biography did Jobs Could be ruthless, brilliant and mostimportant charismatic. But seeing it on the screen is devastating. Sorkin I believe is asking have we Given up our sense of teamwork and humanity to be successful and iconic? Jones did it Appears both.


Steven Spielberg in the  Bridge of Spies tells a Cold War story based in history. A time about a standoff between the US and Those dirty communists, the Russian. Spielberg is a master storyteller. So He is a filmmaker with a conscience. Unusual combination for someone so successful in current Hollywood, The storyline is: we capture a Russian spy brilliantly played by Mark Rylance and the Russians' capture Gary Powers our jet propelled spy pilot. The Governments are not talking to eachother in this cold world. In the United States officially we do not have spies. But bothsides did capture a spy. No official channel is open to figure out how to exchange them. Bring in a hard drinking successful lawyer from One Of Those big New York City law firms. Tom Hanks is assigned by his law firm to do pro bono defense of the Russian spy. Hank's wife wants him to have no part of it for good reason.When his face is front paged as defending a Communist spy, people Recognizing him make sure he knows of Their disapproval. He does not wanna do it but He has to his law firm assigns him: because. He's a good lawyer. He meets with the Russian spy and the spy realizes feels He has done no wrong is most likely in the same way did Gary Powers feels he is serving his country. Just like now in a Fox media saturated America there is little support for the nuances Necessary in power politics. Hanks, one of his best performances, exemplifies how this professional lawyer does this job. He Manages to find away to justify the behavior of a Both Spies. He alone negotiates "unofficially" with the Russians the Hanes exchange of prisoners. Everything about Bridge of Spies is Hollywood craftsmanship at its highest creating a 50's cold war landscape. But I think there is another agenda here besides telling a damn good spy story. I believe Spielberg is asking a very critical question at this moment Particular about what is a good citizen. What is a good American. After seeing the film I walked out of the theater thinking of  Lynn Stewart, Chelsea Manning and Julian Assange, It is a critical question. See it. You may have other answers





"Avant-Garde: Experimental Cinema of the 1920s and ’30s" (1921-1947)

A master class in experimental film history... or how to prepare for MIXNYC 28


Monday, October 26, 2015

Please Don't Touch My Tomatoes

Josephine Baker, the "Toast of Paris" sings her delightful double-entendre novelty hit "Please Don't Touch My Tomatoes". The girl in the banana skirt enchanted the entire world with her dancing, singing and sheer radiance. The first black superstar, breaking barriers for many entertainers, and paving the way for civil rights and equality for all. - We've come a long way, and Josephine Baker was certainly at the forefront of the parade. The world is better, because Josephine Baker lived in it. Thank You, Miss Baker, for your generosity, your kindness and your inspiration to us all!
  • Music


Janis: Little Girl Blue - Movie Trailers - iTunes

Get ready  AMY BERG has a new documentary to pop that will make all of us happy

Janis: Little Girl Blue - Movie Trailers - iTunes

Friday, October 23, 2015

UPDATE: TAB HUNTER CONFIDENTIAL the back story : Want to know the real story of WHY TAB HUNTER became unemployable in HOLLYWOOD and who was responsible ?

IF YOU HAVE NOT SEEN Jeffrey Schwartz's TAB HUNTER CONFIDENTIAL held over at the theater at 12th and 2nd ave .Please go .. . Tab Hunter was the 50's Hollywood DREAMBOAT to thousands of teenage girls around the world. With his blond all -American good look complete with a steve Canyon (the comic book hero with a marine like profile) jaw line. But Tab Hunter was an industry creation and it was in the backrooms of the Hollywood velvet mafia that his career was killed career. He was sacrificed to protect the career of fellow gay actor ROCK HUDSON . Backstory; Rock Hudson and Tom Tyron, a nactor and writer, were caught sexually canoodling on the Santa Monica Beach and arrested . It made the police log published in the Santa Monica Daily Newspaper early edition.. but disappeared when a bigger story about Rock Hudson broke.. The same night of his arrest Rock and Tab's agent Henry Willson , after getting Rock out of jail, held a secret meeting with members of the powerful velvet mafia and asked "What can we do to save Rock's career.   It was decided to get the world's most eligible bachelor married, Henry's secretary Puhyliss a quiet, butch lesbian was called and told to get dressed as she was going to Vegas to become Mrs Rock Hudson . Shocked, but she got dressed and met up with Rock at the Santa Monica airport and the next thing the world learned is ROCK HUDSON GETS MARRIED, not about the arrest of Rock and Tom on the beach in Santa Monica for committing crimes aginst nature. In the morring Henry blind tipped a reporter at the tabloid magazine CONFIDENTIAL about Tab Hunter being arrested when he first came to Hollywood simply for being present at an all male party  that the police raided . No charges were made. Confidential  ran with it and Tab,not Rock became a  deviant sex freak in the media.  His star tumbled from the Hollywood Sky... and  this is the background you should take into the theater and see how it is told ..not as directly as I have about how a very popular movie star became unemployable in Hollywood .. Well done Jeffrey Schwartz!   and yes Paul Newman, Clint Eastwood, Debbie Reynolds, Robert Wagner . John Waters etc all loved Tab.... and talk about him... And yes that is Tony Perkins lurking in the background..wouldn't you?







GO 

Q andA at SXSW FILM 2015  with Director Jeffrey Schwarz and TAB HUNTER 





last year TAB talks with the British Film Institute about his life today 



True confession :  Tab was who I wanted to be in high school .. and once found myself in the early '60's in bed with him in NYC  ..

What do Tab Hunter and Jason Holliday have in common.. Two docs playing right now will tell you

IF YOU HAVE NOT SEEN Jeffrey Schwartz's TAB HUNTER CONFIDENTIAL held over at the theater at 12th and 2nd ave .. Tab Hunter was the 50's Hollywood DREAMBOAT to thousands of teenage girls around the world. With his blond all -American good look complete with a steve Canyon (the comic book hero with a marine like profile) jaw line. But Tab Hunter was an industry creation and it was in the backrooms of the Hollywood velvet mafia that his career was killed career. He was sacrificed to protect the career of fellow gay actor ROCK HUDSON . Backstory; Rock Hudson and Tom Tyron, a nactor and writer, were caught sexually canoodling on the Santa Monica Beach and arrested . It made the police log published in the Santa Monica Daily Newspaper early edition.. but disappeared when a bigger story about Rock Hudson broke.. The same night of his arrest Rock and Tab's agent Henry Willson , after getting Rock out of jail, held a secret meeting with members of the powerful velvet mafia and asked "What can we do to save Rock's career.   It was decided to get the world's most eligible bachelor married, Henry's secretary Puhyliss a quiet, butch lesbian was called and told to get dressed as she was going to Vegas to become Mrs Rock Hudson . Shocked, but she got dressed and met up with Rock at the Santa Monica airport and the next thing the world learned is ROCK HUDSON GETS MARRIED, not about the arrest of Rock and Tom on the beach in Santa Monica for committing crimes aginst nature. In the morring Henry blind tipped a reporter at the tabloid magazine CONFIDENTIAL about Tab Huntrer being rrested when he first came to Hollywood simply for being present at an all male party  that the police raided . No charges were made. Confidential  ran with it and Tab,not Rock became a  deviant sex freak in the media.  His star tumbled from the Hollywood Sky... and  this is the background you should take into the theater and see how it is told ..not as directly as I have about how a very popular movie star became unemployable in Hollywood .. Well done Jeffrey Schwartz!   and yes Paul Newman, Clint Eastwood, Debbie Reynolds, Robert Wagner . John Waters etc all loved Tab.... and talk about him... And yes that is Tony Perkins lurking in the background..wouldn't you?



GO 

QandA at SXSW FILM 2015  with Director Jeffrey Schwarz and TAB HUNTER 







last year TAB talks about his life today 





True confession :  Tab was who I wanted to be in high school .. and once found myself in the early '60's in bed with him in NYC  ..



JASON AND SHIRLEY now at MoMA

.IF YOU HAVE NOT SEEN JASON AND SHIRLEY at MoMA GO! Stephen Winter's has found the language of today to show how much and how little has changed for a black gay man . In a fair world Jack Waters would be being talked about for an Oscar an Spirit award



best preparation is to first look at Shirley Clarke's MASTERPIECE



PORTRAIT OF JASON .. Jason Holliday is one of the most vivid people  on screen you will ever see. Shirley and I were good friends and when we both living in LA at the  same time became each other's sanity test .. boy did we have fun

UPDATE:: Jim Fouratt's REEL DEAL; MOVIES THAT MATTER final report on best films at New Your Film Festival 2015 with Trailers print, cut, and paste on wall

Wednesday, October 21, 2015

JUST OPENED straight from the NYFF  one of the top films I saw at the festival    EXPERIMENTER

NYFF53: Michael Almereyda delivers the sleeper hit of Sundance to the NYFF. Stanley Milgram (Peter Sarsgaard) a Yale based social scientist conducts his human "Obedience" test and shocks us with just how far you can push a human even when v want to stop. Fascinating and disturbing. Highly recommended .. extra added treat : welcome back Winona Ryder! #NYFF, #filminc  Hello Spirit Awards!


Wednesday, October 14, 2015

NYFF53 live talk Todd Haynes & Kent Jones discuss Haynes directorial career and the making of Carol + Public screening Q&A + Ed Lachman + trailers

Todd Haynes and Kent Jones discuss Haynes directorial career and the making of Carol during the HBO sponsored NYFF Live Talk  . Among his films discussed was SAFE  + public conversation with Carol cinematographer Ed Lachman,  + public screening Q&A w/ Haynes, Cate Blanchett, Rooney Mara, Phyllis Nagy (writer) , Ed Lachman (cinematographer)  Yes I asked a question.




NYFF53 CAROL public screening Q&A pt 1 with director, Todd Haynes writer Phyllis Nagy, cinematographer  Ed Lachman and actors Cate Blanchett and Rooney Mara pt 1  and pt 2








NYFF53 Public conversation with Ed Lachman cinematographer and Amy Taubin   .. His whole career is discussed including Carol . I ask a question 




Carol Trailer


SAFE trailer


Sunday, October 11, 2015

See Alex Gibney doc JOBS: Man in the Machine before you see STEVE JOBS

Before you go to see the Arron Sorkin written/Danny Boyle directed STEVE JOBS narrative film that world premier at New York Film Festival a few days ago, I suggest strongly you find in a theater to online the Ale Gibney dos on Jobs (Man in the Machine) it is important prep for watching the new film.. It is In theaters in a few cities and online (CNN FILMS) ... trust me on this one ...



film clip




Thursday, October 8, 2015

ALERT : Two Free screenings of Chantal Ackerman films have been added in tribute to her work in cinema .

ALERT : Two Free screenings of Chantal Ackerman films have been added in tribute to her work  in cinema .

ALERT ALERT  Here is Kent Jones, the Director of Programing at the NYFF reflecting on the importance of Chantal Ackerman to contemporary  cinema. In addition to the Main Slate screenings of her film NO HOME MOVIE (i recommend highly) , He has added two additional Chantal Ackerman films  FREE on friday

Chantal Ackerman on Chantal Ackerman
http://www.filmlinc.org/nyff2015/films/chantal-akerman-by-chantal-akerman/

Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles
http://www.filmlinc.org/nyff2015/films/jeanne-dielman/

both od\f these films are essential viewing

here is what Kent Jones Director of Programing at NYFF wrote yesterday upon learning of her death
On Chantal Ackerman: personal memory by Kent Jones
.

Wednesday, October 7, 2015

Michael Almereyda The Experimenter sleeper hit of NYFF53... see it


NYFF53: Michael Almereyda delivers the sleeper hit of Sundance to the NYFF. Stanley Milgram (Peter Sarsgaard) a Yale based social scientist conducts his human "Obedience" test and shocks us with just how far you can push a human even when v want to stop. Fascinating and disturbing. 1 screening left Wed at 9. Highly recommended .. extra added treat : welcome back Winona Ryder! #NYFF, #filminc


Bridge of Spies | NYFF53 Center Piece Film Spielberg, Hanks , Russian Spies, Berlin War, The 50's Cold War.

The Center Piece of NYFF53 is Bridge of Spies: Stephen Spielberg has marshaled all his story telling skills and Tom Hanks to recreate a moment of cold war truth  and ask a question relevant to today. What makes a  good American Citizen? I immediately thought of Lynn Stewart, Edward Snowden and Chelsea Manning. #NYFF #filminc

Tuesday, October 6, 2015

CHANTAL AKERMAN HAS DIED



Sad sad news for the entire film community The filmmaker Chantal Akerman died  a suicide  suicide at the age of 65. Her most recent  film   No Home Movie is at the New York Film Festival right now and will have an encore screening on the last day of the festival, Oct 11th, 2015

Chantal Akerman changed the landscape of film history in the same way Godard did with her rigorous filmmaking technique which forced the eye of the viewer to actual look into the entire of a frame, each frame and see what was actually in the frame. Hers was not an easy entertainment viewing pleasure. But for me it was richly rewarding and widened  my understanding of how cinema can bring life and reality alive as a light flickers across a screen in a darken room full of strangers sharing a human experience

I found NO HOME MOVIE  deeply moving as she documented her relationship with her mother as her mother moves to the final year of her life. What could have been merely sentimental becomes an almost quiet epic of how mothers and daughters negotiate the essentials of family, responsibility and mutual compassion None of this is on the surface but the reward is so rich if one one is willing to submit to Akerman's cinematic discipline ...

No Home Movie clip

Here is a primer from the British Film Institute on how to watch Chantal Akerman's films Chantal Akerman for Beginers


Chantal Akerman's death is  a great loss today to  the world of cinematic art . Thank you Chantal for the pleasure you have given me.. and to the young critics at Locarno .. how do you feel today?

#NYFF, #filminc


Thursday, October 1, 2015

MY FULL REVIEW OF STONEWALL the MOVIE.. please share

THIS IS THE FULL REVIEW 

Jim Fouratt’s Reel Deal Movies that Matter
October 2015

The Stonewall Rebellion took place in Greenwich Village in 1969. Hollywood director Roland Emmerich and Broadway PlaywrightJon Robin Baitz have released Stonewall the movie.

Because it happened in the WestView News neighborhood and the event changed history world-wide, I have decided to change my normal format and just review one film in this print issue. Please look at Westviewnews.org for my New York Film Festival reviews and current releases.

I have to give you some of my own background first. I was a witness and participant in the four nights of the Stonewall Rebellion. On the night of June 28th 1969, I was coming home from working late at CBS/Columbia Records. At 10:15 pm, I turned the corner onto Christopher St. I saw a police car pulled up in front of the Stonewall Inn, a gay bar that I did not often frequent. It was dirty, dark, seedy and usually full of closeted married men looking for young men to buy or to get pills to calm their nerves as they ventured out of the shadows. I was a 60s radical and one of the few out gay men in the anti-war movement and one of the founders of the Yippies.

I walked to the front door of the bar to see why the police car was there, and twenty people were gathered outside. I was there no longer that ten minutes when the front door opened and a police officer led out a very masculine-looking and dressed woman who was handcuffed and placed into the police car. He went back inside. She started rocking the car with her bulky body, much to the appreciation of the about sixty people now gathered outside and spilling into the street.

Much to her surprise and to the crowd one of the doors popped opened. She climbed out. Despite her size, she slipped her female wrists out of the cuffs. She began to throw her bulky body against the police car. It began to rock each time until it almost tipped over—it did not, but at its highest point the crowd, now nearing one hundred, started to cheer. The bar door opened. A cop put his head out to see what the noise was about and quickly closed the door. She freaked at the sight of the cop and fled. The cop apparently went inside and called for reinforcements. In

In Christopher St Park across the street underage gender non-conforming mostly run away kids did gather .A very few were of color .One must know that i 1969 the Northern racism as subtle as it is,  was  at play in the bar life of Greenwich Village. The mob did not normally let blacks in with few exceptions based on physical  beauty. Black gays had their own bars in Harlem and times Square. There was one bar on the Village waterfront that was know as a black gay bar , It was called Kellers. The few authentic pictures of that first night wil show the majority of people were young, white gay men. The politically correct and language police must understand that the world drag queen was not a negative  term and was used as identification by people like Marsha P. Johnson and Sylvia Rivera. Transvestite was the respectable language used as in Street Transvestite Action Revolution for gay men who dressed in women'x clothes. I knew of no transexuals. While drag queens did come to GLF, no transexuals that I was aware of did. I am using the language of 1969.

Meanwhile as the crowd grew outside awaiting the arrival of more police, it took on the tone of a street party. People were having a good time mulling around. The police arrived and cleared the sidewalk and went inside the bar. The bar employees were arrested, brought out and placed in police vehicles. The crowd outside became more animated, but not violent. Yes, a trash can may have been dumped over, and yes, some queens stood outside on the street and threw pennies and small change at the cops and matches at the building. Yes, there was pushback. But it had more the flavor of gay camp than 60s radical fight back.

The person who gave the most angry lip to the police was a straight folk singer (Dave Van Ronk) coming out of the Lions Head bar next door who asked “what is going on here” and got arrested. The cops started clearing the street. The crowd disbursed. Some simply went over to West 10th and some to Washington Square.

A group of about seven of us gathered at Waverly and Waverly and talked about how we could keep the energy and people coming back. This was all before cell phones and twitter, Facebook etc. A couple of us had been in the Mattachine youth group, and some of us had experience in the Anti-war movement.

Christopher Street was calm by 2:00 am. We set about organizing for the next three nights. Yes, it became more aggressive when some straight radicals joined in and were agitating to pick a fight with the cops. I saw this all with my own eyes. It is basically what I told Martin Duberman for his book Stonewall. Note there was never a Cadillac parked in front of the Stonewall any of the four nights.Sylvia Rivera and Bob Kohler were not there the first night but were there the following three nights. Now, the review:

Stonewall director Roland Emmerich

Whoever did the research for this movie talked to the wrong people (Or they read Stonewall: The Riots that Sparked the Gay Revolution by David Carter, which tells a mostly fabricated story of what happened the first night.) To me his is a dangerous story because he puts a straight template on gay history. He used as his principal authority Police Inspector Seymour Pine—who did everything he could to draw attention away from the mob payoff to the cops, because it was against the law to serve liquor to homosexuals. Pine’s people fed the Daily News a story of three cops getting injured and having to be taken to St Vincent’s Hospital and released. The hospital had little record of any injuries directly related to the Christopher Street incident.

The film is set in the days before the rebellion and focuses on street kids and queens and a new white boy Danny Winters (Jeremy Irvine) in town with a scholarship to Columbia. Danny has been thrown out of his family home in Kansas. He is taken in by a group of street kids he encounters, led by a character based on Sylvia “Ray” Rivera named Ray/Ramona (Jonny Beauchamp) more myth than reality.

Later he sees the handsome Trevor (Jonathan Rhys Meyers) in the Stonewall Inn handing out fliers. Trevor is the political hero of the film. He appears to be based on an ex-boyfriend of mine Marty Robinson. Trevor takes him home and for the Danny it is love at first sight. Later he sees Trevor kiss another boy and gets his heart broken. The film is populated with stereotypes and sentimentality.

When Danny runs out of money. Ramona suggests he turn a trick to buy food. He says they all do it to survive. Danny goes to local gay pimp Ed Murphy (Ron Perlman) who sends him to an uptown apartment to meet a mysterious fat, old man in a dress (this shouts J.Edgar Hoover to me.) We go to a Mattachine meeting in a flashback and see Frank Kameny calling for equal treatment for gays in the workforce. He is dressed in straight male drag, a suit and tie. Emmerich tries to put everything in but the kitchen sink—including a reference to the street queens mourning the death of Judy Garland inside the Stonewall Inn.

These constructed facts simply are not true.

All of this is building towards Saturday night June 28th. Two cops arrive at the Stonewall in the early evening for their pay off. I do not know what went wrong in the bar. The action on the screen focuses on the street where I was and it presents a full stage riot with crowds of angry young men assaulting the bar and threatening the police. Reinforcements are called in, including the notorious NYC riot police the Tactical Police Force (TPF) with their stanchions and shields clearing the streets. Fire engines rush to out a raging fire apparently set by people on the street.

Exciting on the screen? Yes. But it simply did not happen that way. Emmerich compresses four very different nights into one and creates a lie of what actually happened. There are so many historical errors—including the focus on the Mattachine Society—that it almost becomes a cliché version of William Burroughs’ The Wild Boys. Emmerich has the right to tell a story and is skilled at film making. I know Stonewall is not a documentary. But his distortion of actual history makes him vulnerable to people like myself who were actually there.

To me the significance of Stonewall is not what happened in the bar—payoffs happened all the time—but what happened on the street those four nights. The rejection of Mattachine and the birth of the modern Gay Liberation Front with its multi-issue politics much more in sync with the radical politics of the late 60s was important. As was the courage of the people godsmacked by the events—they had the courage to come out to create a safer world for all lesbians and gay people.

Not, “Gay is Good,” the Mattachine slogan but “Come Out” was the GLF chant. Coming out and being visible is what changed history. Stonewall birthed the modern gay and lesbian movement initiated by the Gay Liberation Front and groups that grew out of it like Radical Lesbians and The Gay Activist Alliance. (GAA).



Good intention alone do not make a good movie.
(cc) Jim Fouratt ( a version first appeared of the Westview News )

Last Days Film

KATHERINE BIGLOW directs  LAST DAYS OF ELEPHANTS. The Ivory death squad in Africa and the traders in Ivory  around the world . How to save the elephants  Watch Now :   #lfimlinc




Here is a panel discussion on the short led by Katherine Biglow